dreamcatchings: (misc: april poetry)
Marrying the Violence
by Marty McConnell

I have taken the blueprint of your back for granted
as if the sidewalk were not an altar
and the sound of the shower not a hurricane
bearing down – there is no ceremony for this.
the night goes on in spite of the rain, much
like the mail. make me a bullet of a mouth,
sex love and money on the radio. not a bullet,
a gun. not a gun, a harbor. to hold you, against
this, against the night with its sirens and batons,
I fly down the block to you and the lights, in
harm’s way, all sixteen muscles of my tongue
pulled, meat for the men who don’t love you.
my love, ink is fool's armor. your good luck
works on no one in uniform. if it's true
that bone is harder than steel, make me
a building, a garden of calcium
and mineral in bloom, deadbolt
of a spine, you coming home whole,
the apartment of my head on your bulletless
chest / each time the cry of fight goes up
on the street I remember your hand, the man
rocking back on his heels, his mouth
a sidelong oval shocked into quiet
at last, his pale hand torn from your forearm --
love, lay your burden down, here, tell me how
to make this body a safehouse and not
a prison, how hold your hand when its every lifting
is an act of self-defense, how take the knife from you
and not call it murder, or surrender – the cabdriver,
the cop, the woman gripping her purse
on the L train conspire -- you are already
a weapon. I am no building, no shield,
less than cotton between the violent night
and your skin, less than teeth
ground down to bonedust
small, white as I am.
dreamcatchings: (misc: april poetry)
Marrying the Violence
by Marty McConnell

I have taken the blueprint of your back for granted
as if the sidewalk were not an altar
and the sound of the shower not a hurricane
bearing down – there is no ceremony for this.
the night goes on in spite of the rain, much
like the mail. make me a bullet of a mouth,
sex love and money on the radio. not a bullet,
a gun. not a gun, a harbor. to hold you, against
this, against the night with its sirens and batons,
I fly down the block to you and the lights, in
harm’s way, all sixteen muscles of my tongue
pulled, meat for the men who don’t love you.
my love, ink is fool's armor. your good luck
works on no one in uniform. if it's true
that bone is harder than steel, make me
a building, a garden of calcium
and mineral in bloom, deadbolt
of a spine, you coming home whole,
the apartment of my head on your bulletless
chest / each time the cry of fight goes up
on the street I remember your hand, the man
rocking back on his heels, his mouth
a sidelong oval shocked into quiet
at last, his pale hand torn from your forearm --
love, lay your burden down, here, tell me how
to make this body a safehouse and not
a prison, how hold your hand when its every lifting
is an act of self-defense, how take the knife from you
and not call it murder, or surrender – the cabdriver,
the cop, the woman gripping her purse
on the L train conspire -- you are already
a weapon. I am no building, no shield,
less than cotton between the violent night
and your skin, less than teeth
ground down to bonedust
small, white as I am.
dreamcatchings: (misc: april poetry)
Earthquake
by Amber Tamblyn

My entire life has been a huge earthquake
I slept through. All I know are the aftershocks.

The sound of glass being swept up
in my lover's bedroom.

A story I don't remember telling is the headline
of every newspaper the morning after.

My blackout in big lights.
All I see is the damage I've done.

My mother is the news anchor,
never allowing me to escape her natural disaster.

My father is the kindly neighbor
bringing me a candle and asking me about my injuries.

I read a diary full of old
New Year's resolutions:

1) Ignore the commentary on your comical thighs.
2) Write more than just repeating his favorite song's lyrics.

3) Report every shooting star to Mindy while out of town.
4) Tell him you love him before he figures out that you don't.

My friends lie to me like a government.
They say the wreckage isn't as bad as it seems.

My old flames head up relief efforts,
raising money to help the hurt survive me.

My thoughts are homeless dogs running wild.
I just want to know the truth.

I'd like to take the Richter Scale
out for a romantic lie detector test

and when the mood's right,
ask what it really thinks of me.

When it doesn't respond, I'll tell everyone
to sleep in their cars, to move to Florida

where hurricanes announce themselves
before destroying everything.
dreamcatchings: (misc: april poetry)
Earthquake
by Amber Tamblyn

My entire life has been a huge earthquake
I slept through. All I know are the aftershocks.

The sound of glass being swept up
in my lover's bedroom.

A story I don't remember telling is the headline
of every newspaper the morning after.

My blackout in big lights.
All I see is the damage I've done.

My mother is the news anchor,
never allowing me to escape her natural disaster.

My father is the kindly neighbor
bringing me a candle and asking me about my injuries.

I read a diary full of old
New Year's resolutions:

1) Ignore the commentary on your comical thighs.
2) Write more than just repeating his favorite song's lyrics.

3) Report every shooting star to Mindy while out of town.
4) Tell him you love him before he figures out that you don't.

My friends lie to me like a government.
They say the wreckage isn't as bad as it seems.

My old flames head up relief efforts,
raising money to help the hurt survive me.

My thoughts are homeless dogs running wild.
I just want to know the truth.

I'd like to take the Richter Scale
out for a romantic lie detector test

and when the mood's right,
ask what it really thinks of me.

When it doesn't respond, I'll tell everyone
to sleep in their cars, to move to Florida

where hurricanes announce themselves
before destroying everything.
dreamcatchings: (misc: april poetry)
A Working List of Things I Will Never Tell You by Jon Sands

When I said I wasn’t with another girl
the January after we fell in love for the 3rd time,
it’s because it wasn’t actual sex.

In the February that began our radio silence,
it was actual sex. I hate the tight shirts
that go below your waistline.

Not only do they make you look too young,
but then your torso is a giraffe’s neck attached to tiny legs.
I screamed at myself in the subway

for writing poems about you still.
I made a scene. I think about you almost
each morning, and roughly every five days, I still

believe you’re there.
I still masturbate to you.
When we got really bad,

I would put another coat of mop water on the floor of the bar
to make sure you were asleep when I got to my side of the bed.
You are the only person to whom I’ve lied, knowing

I was telling the truth. I miss the way your neck
wraps around my face like a cave we are both lost in.
I remember when you said being with me

is like being alone with company.
My friend Sarah wrote a poem about pink ponies.
I’m scared you’re my pink pony.

Hers is dead. It is really sad. You’re not dead.
You live in Ohio, or Washington, or Wherever.
You are a shadow my body leaves on other girls.

I have a growing queue of things I know
will make you laugh and I don’t know where to put them.
I mourn like you’re dead. If you had asked me to stay,

I would not have said no.
It would never mean yes
dreamcatchings: (Default)
A Working List of Things I Will Never Tell You by Jon Sands

When I said I wasn’t with another girl
the January after we fell in love for the 3rd time,
it’s because it wasn’t actual sex.

In the February that began our radio silence,
it was actual sex. I hate the tight shirts
that go below your waistline.

Not only do they make you look too young,
but then your torso is a giraffe’s neck attached to tiny legs.
I screamed at myself in the subway

for writing poems about you still.
I made a scene. I think about you almost
each morning, and roughly every five days, I still

believe you’re there.
I still masturbate to you.
When we got really bad,

I would put another coat of mop water on the floor of the bar
to make sure you were asleep when I got to my side of the bed.
You are the only person to whom I’ve lied, knowing

I was telling the truth. I miss the way your neck
wraps around my face like a cave we are both lost in.
I remember when you said being with me

is like being alone with company.
My friend Sarah wrote a poem about pink ponies.
I’m scared you’re my pink pony.

Hers is dead. It is really sad. You’re not dead.
You live in Ohio, or Washington, or Wherever.
You are a shadow my body leaves on other girls.

I have a growing queue of things I know
will make you laugh and I don’t know where to put them.
I mourn like you’re dead. If you had asked me to stay,

I would not have said no.
It would never mean yes

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July 2012

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